A selection of work exploring what happens when AI-native production meets traditional creative craft. Across these projects, I’ve worked across generative AI, live action, editing, motion graphics, sound design, and post-production — moving between emerging tools and established production techniques depending on what the idea actually needs.

I’m interested in AI as a production tool, not a replacement for creative judgment. That means understanding what these tools are good at, where they break down, and where human direction, taste, editing, and problem-solving need to take over. In practice, that can mean generating and iterating visuals with AI, then rebuilding, compositing, animating, editing, or designing the sound by hand to get the work across the finish line.

The projects here are meant to demonstrate that range: the ability to produce AI-native work, traditional video, and hybrid pieces that combine both. They’re also experiments in building faster, more flexible production workflows — using AI to reduce bottlenecks, expand what’s possible on a limited timeline, and give a small creative team more room to iterate without compromising the quality or specificity of the final work.

Ultimately, I’m interested in figuring out where AI genuinely makes production better — and where the human should take the wheel.